Canon and Nikon together – At Last

Sometime in the dark ages – more than 15 years ago – I invested in a Nikon SLR 6006 with a nice 35-135mm zoom lens and it served me well until the dawn of the (reasonably priced) digital age. Early DSLRs were way too expensive and not worth the money, so I went with a few consumer digital cameras for some years, one of them also a Nikon, albeit not with exchangeable lens.

For many years my old 6006 sat in the closet losing value but I always had in mind  that at one point I would invest in a DSLR and then I could use the nice lens which was about five hundred bucks in the days I acquired it.

The time of the DSLR finally came in form of a Canon T4i. I had strongly considered waiting for the perfect mirror-less camera, but the deal I got on the Canon – I just could not pass up. I did not go with a Nikon DSLR because I also wanted to use the camera for video and Canon seemed to be superior in that department. Thus, I still had that good Nikon lens sitting there without any use. The idea of selling it on eBay shattered quickly when I saw for how little these cameras were traded – it really appears the time of the 35mm film is over.

I finally a reasonable offer for an adapter for Nikkor AF lenses to EOS bodies and it arrived today.

First test with that ‘good’ Nikkor lens were rather disappointing. It appears that lens technology has made long strides over the last decade and a half. The lack of transfer of data to and from the lens through the adapter (none) was no big deal, as I grew up, focusing manually and with the camera set to aperture priority the exposure was still pretty automatic – if I wanted. One feature of the Nikkor lens I was looking for was the macro range – at 35mm I could push one little button and extend the barrel quite a bit further, thus getting much closer to the subject.

Here the closes with the Nikkor

nikon-out

and the closest I could get with the Canon 18-55

canon-out

That was pretty good, but then I wanted to see how it fared when I looked closer, and this is where the disappointment took hold.

Big bad color fringes on the Nikkor lens

nikon-in

at least in the out-of-focus areas of the image while the Canon lens showed no such faults

canon-in

I will have to make some more test to see how the aperture will affect this behavior as, I believe, the Nikkor was wide open, while the Canon was exposing with the lens closed to 11. Now I start to imagine how the quality will be for a modern lens for the price of the old Nikkor, and even more so for a modern lens that I can not justify to buy.

What this little experiment really drove home to me is that the experts are right when they say that glass is more important than body.

UPDATE:

The above was written sometime in March of 2013. Since then I looked into other options of getting a closer look at things without using the macro setting on the Nikkor lens.

When it was time to buy something from Amazon with a price under the minimum to get free shipping, I added a Macro Extension Tube Set and a Macro Reverse Ring Camera Mount Adapter. The first one simply adds distance between the sensor and the lens, thus allowing to focus on objects closer to the lens (but losing the ability to focus on infinity with a ring inserted). The second allows to reverse the lens and mount it on the camera with the filter thread, allowing for extreme close-up shorts.

When I received these adapters I took my trusted lens cap and took a few shots to compare with what I could get with the old Nikkor lens. This time I was positively surprised. I got the same good quality of the image with my 18-55 lens – much better than the old Nikkor lens.

Close-up with Distance rings

Close-up with Distance ringsNow, that I have a solution to do close-up photography without the use of the Nikkor lens I can put that lens on eBay again, throwing in the body of the 6006 which I have not been able to just throw away so far.

Past Life Echoes

Past Lfe EchoesEchoes from the Past – a story once told on a web site that was to promote diving into past lifetimes, not out of curiosity, but to find and remove reasons for things not quite going right…

It was a beautiful morning in Frankfurt…

I had been very excited about my first job after college although that excitement had now calmed down a bit after a long winter – living in bread-and-breakfast hotels waiting for my own place to become available. Spring had finally come and with it the date to move into my own apartment close to my new work in Frankfurt, Germany.

Now life was just perfect. A good job with the perception of an abundance of money after long years of scarcity during college. A very nice girl-friend, my own comfortable apartment and now – to top it all – spring had sprung.

And there I was, driving through this beautiful morning, along the river Main. Heading into Frankfurt.

Music from the radio, and then suddenly I started to cry.

I mean CRY – tears running down my face, sobbing deeply.

It was just a song on the radio! In case you are interested – it was “Non, Je Ne Regrette Rien” by Edith Piaf – –

– – what, you don’t even know who that is? – OK, just briefly so that my story will make more sense. Edith Piaf was a big singing star in the 30’s in France. Her stardom peaked during the 40’s when Germany occupied bigger parts of France, especially Paris. She died before I was beyond the children’s song phase – in this lifetime.

In other words, I could not have had any experience with her that I could place within my current lifetime.

So – what the heck happened?

It took me many years to find out – many years and a lot of money. I might, at a later time, tell this long story of my trials and tribulations, but for now let’s get on with the short version and Edith Piaf.

On this beautiful morning my drive into town was fortunately long enough to give me time to collect myself, this was an experience that I could not forget and that did not really seem to make sense to me.

Shortly after these events I started to study a philosophy that easily accepted the idea of past lives. However learning about a philosophy and making a connection to the real life around us are usually two very different subjects.

Although being educated in the hard sciences I had started to look for more meaning behind it all. Somehow physics alone was not explaining all the things I could observe. Science fiction had been a nice compromise with the technological aspect on one side and the possibilities of mental and spiritual powers on the other.

I had easily accepted the idea of telepathy, surviving the death of a body and similar concepts found in science fiction but it had always been from the point of view of a spectator.

That was about to change! The philosophy I was learning about was an applied philosophy, meaning that the ideas we studied were not only of intellectual value but were actually put to the test by trying them out.

This allowed me, for the first time, to leave my spectator’s view-point behind and get involved. Thus I experienced that there were past lived and that made a whole lot of a difference in my daily life.

Now back to Edith …

… it must have been one of those WOW-moments while singing in the shower – that I realized, some time after I had to cry so hard, that I knew Edith Piaf! I did some digging with the techniques I had learned and found myself to be one of those Germans occupying Paris, France in World War II and having a hell of a good time, going to shows and other entertainment Paris had to offer.

Imagine this proper SS officer, arrogant to the max, believing that Paris was all his – that was me!

One of those shows my buddy-officers and I had liked had been a concert with Edith Piaf.

And did I ever connect to this tiny person with the huge voice and those sad eyes.

There was something about those eyes – something always there but never firm enough in my grasp so that I could have examined it to understand.

I also felt that there was something more but I could not get a handle on.

What to do?

For quite a while I chose one very interesting way of handling it – ignoring it. Have you ever done that? That was pretty easy, because rarely this incident was brought up to it the level of consciousness in order to actually bother me.

But deep down we always know if a matter is just dormant, right? Waiting to be restimulated and taking control is rather different than the condition when something is really, once and for all, handled.

I did unravel the whole story to a point where it now takes effort to recall it because it has become unimportant. It obviously had an effect on my life because uncontrollable crying can be considered ‘having an effect.’

There are now many resources available on the interweb if you are on the quest to unravel your past or find out, for example, why you are afraid of heights or small spaces. Unfortunately, the Whole Self Institute which took a no-nonsense approach to subjects like past lives or grief handling, is no longer in operation.

How To Make Symbols With Keyboard

Alt + 0153   ™   trademark symbol
Alt + 0169   ©   copyright symbol
Alt + 0174   ®   registered ­ trademark symbol
Alt + 0176   °    degree symbol
Alt + 0177   ±   plus-or ­-minus sign
Alt + 0182   ¶   paragr­aph mark
Alt + 0190   ¾   fractio­n, three-fourths
Alt + 0215   ×    multi­plication sign
Alt + 0162   ¢   the ­ cent sign
Alt + 0161   ¡    upside down exclamation point
Alt + 0191   ¿   upside down question mark
Alt + 1   ?   smiley face
Alt + 2   ?   black smiley face
Alt + 15   ?   sun
Alt + 12   ?   female sign
Alt + 11   ?   m­ale sign
Alt + 6   ?   spade
Alt + 5   ?   Club
Alt + 3   ?   Heart
Alt + 4   ?   Diamond
Alt + 13   ?   e­ighth note
Alt + 14   ?   beamed eighth note
Alt + 251   ?   square root check mark
Alt + 24   ?   up arrow
Alt + 25   ?   down arrow
Alt + 26   ?   r­ight arrow
Alt + 27   ?   l­eft arrow
Alt + 18   ?   u­p/down arrow
Alt + 29   ?   lef­t right arrow
Alt + 0196   Ä   umlaut upper A
Alt + 0214   Ö   umlaut upper O
Alt + 0220   Ü   umlaut upper U
Alt + 0223   ß   german sz
Alt + 0228   ä   umlaut a
Alt + 0246   ö   umlaut o
Alt + 0252   ü   umlaut u
Alt + 0128   €   Euro

A more complete list of Windows Alt Key Codes.

The Lensman Series by E. E. Doc Smith

First LensmanMany years ago that I read the Lensman series by Doc E. E. Smith, the precursor to all modern space opera that came after it. Even at the time I read it the technology was dated as these books were written in the 40s and 50s (and even I had no read them when they were first published), but that all did not matter to me at all. These were just great stories.

My first read was in a German translation and I am rather certain that I read at least a few of the books in English after I came to the US of A. For a long time now I wanted to read them again but these books are hard to come by – most of them were out of print and I believe still are – you can’t really find them on Amazon in form of inexpensive paperbacks, maybe as bound collectors items but not for an amount that I was willing to spend.

So I had given up for a while to find a complete set, but recently discovered the first, Triplanetary, as an ebook and am about to finish it on my tablet (apparently the only useful application for a tablet.)

As I was approaching the last few pages I needed the next one – First Lensman. Quite a bit of googling later I finally hit the mother-lode at Arthur’s Bookshelp. He had them all and as I was at it, I also got the Skylark series for the time when I’m done with the Lensmen.  That could be a few years at the slow pace I am going.

Just in case you need the sequence of the book, because it is sometimes hard to figure it out the chronology:

  1. Triplanetary
  2. First Lensman
  3. Galactic Patrol
  4. Gray Lensman
  5. Second Stage Lensman
  6. Children of the Lens

And here – as we are at it, the sequence of the Skylark series:

  1. The Skylark of Space
  2. Skylark Three
  3. Skylark of Valeron
  4. Skylark DuQuesne

 

Edgar Allan Poe – The Raven

The Raven Evermore

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“‘Tis some visitor,” I muttered, “tapping at my chamber door-
Only this, and nothing more.”

Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;- vainly I had sought to borrow
From my books surcease of sorrow- sorrow for the lost Lenore-
For the rare and radiant maiden whom the angels name Lenore-
Nameless here for evermore.

And the silken, sad, uncertain rustling of each purple curtain
Thrilled me- filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
“‘Tis some visitor entreating entrance at my chamber door-
Some late visitor entreating entrance at my chamber door;-
This it is, and nothing more.”

Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you”- here I opened wide the door;-
Darkness there, and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, “Lenore?”
This I whispered, and an echo murmured back the word, “Lenore!”-
Merely this, and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
“Surely,” said I, “surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore-
Let my heart be still a moment and this mystery explore;-
‘Tis the wind and nothing more!”

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door-
Perched upon a bust of Pallas just above my chamber door-
Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore-
Tell me what thy lordly name is on the Night’s Plutonian shore!”
Quoth the Raven, “Nevermore.”

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning- little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door-
Bird or beast upon the sculptured bust above his chamber door,
With such name as “Nevermore.”

But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered- not a feather then he fluttered-
Till I scarcely more than muttered, “Other friends have flown before-
On the morrow he will leave me, as my hopes have flown before.”
Then the bird said, “Nevermore.”

Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore-
Till the dirges of his Hope that melancholy burden bore
Of ‘Never- nevermore’.”

But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore-
What this grim, ungainly, ghastly, gaunt and ominous bird of yore
Meant in croaking “Nevermore.”

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
This and more I sat divining, with my head at ease reclining
On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet violet lining with the lamp-light gloating o’er,
She shall press, ah, nevermore!

Then methought the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose footfalls tinkled on the tufted floor.
“Wretch,” I cried, “thy God hath lent thee- by these angels he hath sent thee
Respite- respite and nepenthe, from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
Quoth the Raven, “Nevermore.”

“Prophet!” said I, “thing of evil! – prophet still, if bird or devil! –
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted-
On this home by Horror haunted- tell me truly, I implore-
Is there- is there balm in Gilead?- tell me- tell me, I implore!”
Quoth the Raven, “Nevermore.”

“Prophet!” said I, “thing of evil! – prophet still, if bird or devil!
By that Heaven that bends above us- by that God we both adore-
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore-
Clasp a rare and radiant maiden whom the angels name Lenore.”
Quoth the Raven, “Nevermore.”

“Be that word our sign in parting, bird or fiend,” I shrieked, upstarting-
“Get thee back into the tempest and the Night’s Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!- quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
Quoth the Raven, “Nevermore.”

And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon’s that is dreaming,
And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted- nevermore!

The Internet is Humming with Dr. Who

The-Doctor-and-ClaraToday the wait was over – the second half of season 7 of Dr. Who has started.

I bet that most views of the show happened on the official channels like BBC America here in the US of A, but, as we are out in the boons, with the cable left behind, we depended on the good old pirate bay to get our fix of Dr. Who (obviously this is a lie, as we would never download any tv show illegally.) Had we actually looked at the torrents we would have been surprised by all the buzz on the interconnected pipes that make up the internet. Way over 2000 seeders is rather rare, and still, download speed would have been – had we done that – still rather slow, so there would have been many, many people as excited to find out about the Doctor’s new adventures and all with a new companion.

Had we been able to watch the show after downloading it illegally we would have been able to actually watch it on the west coast before it officially aired. As I write this, it’s only a bit after the show ended and we would have finished it hours ago – way ahead of all the people waiting for the BBC to start it – Man – are time zones cool, or what?

I’m really curious if the Doctor will get lucky with this companion, but I’m not really holding my breath as one of the big tensions in the series is that that never happens. Strange things can happen if time travel is involved, like Amy turning out to be the Doctor’s mother in law – who comes up with those things?

Thanks, Steven Moffat!

Anarchy is Good

voluntarizmI have to admit that my first understanding of anarchy was in line with the definition that most people use these days – chaos!

But if we look at the definition and root of this word, we find that chaos is not really part of it. It comes from the Greek an- + archos meaning no ruler. It is certainly true that the removal of an established ruler can easily lead to chaos.

Take, for example, a kid that is strictly controlled. Take this control away suddenly and you will most likely had a child that goes wild. But does that mean that the child will remain wild? With most sane kids – and most of them are sane – they will soon find a balance and become accustomed to the lack of control and will be as productive or unproductive as their inherent make-up is. This has been demonstrated in an experiment of un-schooling, where a group of kids were not forced to do anything. Certainly they first slacked off, but after a rather short time of turbulence they started to better themselves voluntarily. If you have ever experienced the difference between forced and voluntary learning you know how much more efficient learning is that you actually want.

But this is an experiment that needs to be run to its end result. A system that would want control could easily subvert the experiment by first taking away control, let the kids go wild and then, when chaos is at it’s best, step in, proclaim that freedom does not work, and put the control back on.

This is the same principle used to convince us that anarchy is not working. Governments want to keep their control because this is what they live on. Any instance where control slips for a while, for example after a revolution or war, is them used to rationalize that chaos ensued and that government has to be established again as soon as possible.

Let me give you another picture that demonstrated that perfectly and which you will have in mind from now on whenever you hear about anarchy. Think of cooking pea soup in a pressure cooker. All the ingredients go in the pot, the lid is closed (control) and heat is turned up. Soon boiling starts, steam develops, and pressure builds in the pot. Nothing dramatic happens. The valve in the lid of the pot will let off some of the steam occasionally in order to keep the pot from exploding.

Now, suddenly open the pressure relief valve and see what happens.

You will have pea soup all  over the kitchen. Yes, I tried that and this is the reason I used pea soup for my example. All the pressure trapped within the peas suddenly has no opposition any more and goes everywhere and takes pieces of the peas with it. The conclusion could now be to never relief the pressure – which would be equivalent to the politician telling us that we need police and military and prisons and laws regulating everything from commerce to farting.

But there is also another solution, because, after all, we want to get to the delicious pea soup. That solution is to release the pressure gradually, or – in the more dirty alternative – don’t care about the mess in the kitchen. Either way, we can enjoy the pea soup.

The sweet taste of liberty and lack of legalized violence where personal interactions occur on a voluntary basis.

Back to the idea of anarchy, a society of ‘no ruler.’ To get there will require a total revamping of the up-bringing of the next generations. Right now, kids, that have a disagreement or fight, are taught to go to an authority who will decide for them who is wrong and who is right. That will have to change to teach them to solve their problems and disagreements amongst themselves. Certainly this will not happen in schools that are sponsored by those who want the status quo.

I see this state of mind appreciating a society based on voluntary interactions spreading and getting more and more into the main stream, Ron Paul being one of the examples for that. He had to fail because the bigger part of the people is still too afraid of pea soup all over the kitchen, but it appears to me that we are at this time in state two of the three stages of truth as described by Arthur Schopenhauer:

  1. It is ridiculed.
  2. It is violently opposed.
  3. It is accepted as being self-evident.

I just wonder when we finally get to stage three.

 

 

Look Ma, No Breasts – A Photoshop Disaster

I have, in the past, enjoyed some of the Photoshop disasters that happen when the graphics editor just does not pay enough attention or is not given enough time by his editor to do a good job.

Today I found one myself…

Escali Body-Composition Scale – Groupon Online Deal

Instantly I had the feeling there was something not quite kosher but I had to look twice to see what’s wrong with that lady. I guess with the help of that scale that measures body fat she succeeded to get rid of all the fat in her mammal glands because they are not there any more.

Subliminal advertizing?

There certainly is the possibility that this model has a very long upper body, but as models are usually well-shaped and proportioned, I am leaning more towards a little mishap with the clone tool.

(clicking the photo might bring you to the Groupon page where I found this image, but there is a good chance that it will not be there when you look – just the way Groupon works.)